ENERZAYA GUNDALAI reflects on the role of technology in art through the Saatchi Gallery’s most recent exhibitions. Nothing can escape the glare of blue light..
HEATHER DEMPSEY delves into the cult of ‘bad films’ through the example of Tommy Wiseau’s famously mediocre take on the love-triangle. ‘Right, I’m just going..
ENERZAYA GUNDALAI presents the highlights of UCL MODO Fashion Society’s 2019 Show: SENSES. Under the railway vaults of London’s Steel Yard, SENSES showcased MODO’s latest..
ESTELLE CIESLA discusses dematerialisation in Yves Klein’s International Klein Blue (IKB). An unframed, unwavering blue painting stands before you. As you stare at the painting,..
THOMAS NGUYEN interviews Sharon Yip and Magda Tchorek-Bentall, the director and curator of UCL Anatomy Society’s first-ever art exhibition, Disjointed Anatomies. On Saturday 2nd March, the..
KRISTIE LUI examines works from Hyon Gyon’s solo exhibition at the Parasol Unit Foundation for Contemporary Art. Scorched holes in fabric reveal layers of burnt..
ENERZAYA GUNDALAI critiques Videogames: Design/Play/Disrupt at the Victoria and Albert Museum. Museums are special places of worship for me. Walking through the European temple-like halls..
SEEHAM RAHMAN examines femininity and sexual politics in Polly Nor’s satirical illustrations. Sensuality, identity, and femininity are not new phenomena in illustration and storytelling. However,..
MARCELA KONANOVA reviews Modern Couples: Art, Intimacy and the Avant-garde at the Barbican Art Gallery. Laced with elements of originality, Modern Couples: Art, Intimacy and..
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