HARRY SPEIRS explores his poetic inspirations in preparation for his performances of Wistful at the Edinburgh Fringe this summer. I remember the first time..
MADELEINE KING reviews La Mif, a moving portrayal of coming of age within the social care system. La Mif (2021), or ‘The Fam(ily)’ in French slang,..
ELLA SARAX reviews Fashioning Masculinities: The Art of Menswear at the V&A. Menswear is undergoing a creative surge. It is undeniable that masculinity has taken..
Get Your Gentrifying Hands Off Nour Cash and Carry: Outrage Against A Community Grocer’s Eviction
DISHA TAKLE considers the impact of gentrification on Brixton’s working-class and ethnic communities, in light of the attempted eviction of a local grocery store by..
WILL PALMER reviews Marie Antoinette, Sofia Coppola’s candy-coloured homage to the misunderstood French queen. As part of the BFI Southbank’s Seen & Heard season, celebrating..
A Sign of the Times: The Brit Awards’ Representation of British Music and Society
ERIN CROASDALE examines the pertinence of the Brit Awards as a platform to advocate diversity and progressive values today. ‘A lot of the time people..
MATTEA CARBERRY reviews House of Hummingbird, Kim Bora’s tender exploration of a young girl’s precarious coming of age within her challenging environment. Set in..
KELLY HOOY reviews Starving Dingoes at The Place. Starving Dingoes is both a haunting and electrifying spectacle of dance. Choreographer Lea Tirabasso presents her latest..
Begin typing your search above and press return to search. Press Esc to cancel.
