NICK FERRIS reviews Anna X at VAULT Festival. Here is a play for the social media age: a frenetic rollercoaster ride of carefully curated Instagram updates, magazines..
PHOEBE GARTHWAITE reviews Hear Me Howl at VAULT Festival. Lydia Rynne’s Hear Me Howl, directed by Kay Michael, was a one-woman whirlwind of comedy and..
SONIA CHUI reviews Opal Fruits at VAULT Festival. Opal Fruits promises to deconstruct stereotypes of working-class women in an exploration of, as the play’s description..
SOPHIE PARKER reviews Blue Departed at the VAULT Festival. As part of the Vault Festival 2019, emerging playwright Serafina Cusack’s latest work Blue Departed explores the relationship between..
MALEEHA MALIK reviews one of VAULT Festival’s closing shows, Maisie Says She Loves Me. As the audience cross the stage to their seats, actor (and director)..
OLIVIA LUNN reviews This Must Be The Place at the VAULT Festival. Ripe with millennial cynicism, This Must Be The Place deconstructs the act of journeying and the..
SUSANNAH BAIN reviews Celestial Ape at VAULT Festival. When I arrived at the wonderfully oddly decorated Vaults – splendid lights, mismatched furniture, and an odd mix of old..
DANIEL LUBIN reviews The Swarm at the VAULT Festival. The Swarm opens by confronting the British crowd with its deepest darkest fear: audience participation. Whilst the..
JESS HOWLEY-WELLS reviews Wretch at the VAULT Festival. ‘London’s answer to Edinburgh’s Fringe’ (according to Time Out magazine) comes hidden away within the labyrinthine Vaults..
JESS HOWLEY-WELLS talks to TORI ALLEN-MARTIN about her new show Wretch at VAULT Festival. Coming into 2017, Victoria Sadler–a prolific arts and culture writer based in London–compiled..
SUSANNAH BAIN interviews JAMES KING, the writer behind Celestial Ape at VAULT Festival. I call James King on Saturday afternoon, four days before his new play, Celestial..
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