ELLA SARAX reviews Fashioning Masculinities: The Art of Menswear at the V&A. Menswear is undergoing a creative surge. It is undeniable that masculinity has taken..
Review: Bice Lazzari: Modernist Pioneer at Estorick Collection
THOMAS COLEMAN reviews the Bice Lazzari exhibition at the Estorick Collection, considering her role in Italian Modernism. Bice Lazzari is a little known but hugely..
ROMILLY SCHULTE reviews Vlatka Horvat’s By Hand, on Foot at PEER Gallery. Vlatka Horvat’s latest exhibition, By Hand, On Foot, currently on display at PEER..
LILY PENG reviews Wang Gongxin’s In-Between at White Cube Mason’s Yard. Two glaring light bulbs swing like pendulums across a rectangular pool. One side of..
The 2021 Ingram Prize and the Accessibility of Contemporary Art
ANGELICA NGAI considers the artworks shortlisted for the 2021 Ingram Prize, detailing the appreciation they have for artworks that directly reflect our contemporary moment. How..
AYAZ KHEZRZADEH explores the documentary photography of Lynsey Addario, discussing how this photojournalist locates a sense of composure in scenes of crises.Â
Review: Tunji Adeniyi-Jones’ ‘That Which Binds Us’Â
ZOSIA KIBALO reviews Tunji Aeniyi-Jones’ ‘That Which Binds Us’, at the White Cube Bermondsey. Tunji Aeniyi-Jones’ first solo show, stretching across two rooms in the..
MATTEA CARBERRY reviews Catherine Yass’s Falling Away at Ambika P3. Catherine Yass’s film installation, Falling Away, immerses the viewer in a world that subverts our..
GEORGE DENNIS visits Estorick Collection Uncut, considering the presentation of abstract, politically charged modern Italian art. To saunter through galleries on a rainy day is..
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