EVERYONE’S INVITED is a social movement combatting rape culture and sexual harassment, through education, testimonials and support. Its platform is a safe space for survivors,..
FREDA CHAN outlines the BFI Southbank’s latest film season, ‘Seen & Heard: Daring Female Coming-Of-Age Films’, running now. In its current film season, the..
KELLY HOOY reviews Amulet, a gothic horror film on female rage, directed by Romola Garai. Romola Garai’s debut film, Amulet (2020), is a bold yet..
ISABELLE OSBORNE gives an overview of FemThinkDo’s event Imperial Feminisms: Women in the British Empire. Set up by UCL graduates Chloe Tye and Lizzie Merrill,..
MAYA WILSON AUTZEN reflects on how Virginia Woof’s 1929 polemic A Room of One’s Own is still poignantly resonant nearly a century later. Re-reading..
Mary Wollstonecraft: The Silver Barbie Doll of North London?
ANNA DANG contemplates whether Maggi Hambling’s new statue of Mary Wollstonecraft does justice to the writer and activist’s legacy. London is a city that..
Review: ‘Unfinished Business’ at the British Library
FRANCESCA KURLANSKY reviews Unfinished Business: The Fight for Women’s Rights at the British Library. ‘Girls are powerful’ These are the first words you..
Review: Mona Eltahawy’s ‘Headscarves and Hymens’
MAYA WILSON AUTZEN champions Mona Eltahawy’s 2015 polemic, which challenges Arabic misogyny and calls for an urgent sexual revolution. I recently finished Mona Eltahawy’s book..
WILL FERREIRA DYKE contemplates Frida Kahlo’s place in art history and her associations with modern feminism. Known for her iconic monobrow and exuberant self-portraits, Frida..
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