ELLA SARAX reviews Milica Tomović’s debut feature, Celts, considering its search into post-war Serbian minds. Celts (2021) is the debut feature film of Serbian..
ZAC ANDERSON discusses the power of SOPHIE and other pioneering trans women in the music scene, looking forward to their upcoming fundraiser for the Black..
RACH LEONG reviews the anxiety-inducing dark comedy Shiva Baby. ‘A Jewish girl, her sugar daddy and her ex-girlfriend walk into a funeral service’ has to..
PHYLLIS AKALIN reports on UCL’s LGBT+ Network’s Stonewall Screenings, exploring what the selected films can teach us about intersectionality and their relevance to the BLM..
PHYLLIS AKALIN reviews Xavier Dolan’s eighth feature film, Matthias et Maxime. Xavier Dolan’s eighth film readopts many of the themes highlighted in his former works (Mommy, 2014,..
THOMAS NGUYEN revisits François Ozon’s 2005 film Time to Leave. At the height of his career as a fashion photographer in Paris, thirty-year-old Romain (Melvil Poupaud) is..
PHOEBE GARTHWAITE reviews UCL Drama Society’s LGBT+ showcase at the Bloomsbury Studio. UCL Drama Society’s LGBT+ showcase was their first this year, a slickly run..
FATIMA JAFAR reviews the poetry of Sandra Brown Springer and Remi-Lyn Brown, performed in an event celebrating black queer womanhood. DISRUPTION, an event marking the..
LUCY MANLEY discusses the intersection of her queer and Catholic identities. ‘Catholic’ and ‘queer’ are two words you probably wouldn’t expect to see side by..
EMMA CHEUNG explores the concealment of queer identity in Sarah Waters’ Fingersmith and Park Chan-Wook’s The Handmaiden. The lesbian narrative of Sarah Waters’ Fingersmith revolves..
Begin typing your search above and press return to search. Press Esc to cancel.
