MICH ROSSITER reviews Charlotte Perriand: The Modern Life at The Design Museum. Charlotte Perriand: The Modern Life is an expansive and overdue celebration of..
MARISA BECIROVIC reviews No Comply at Somerset House, as skateboarding pushes into the spotlight. Weave your way past Yinka Ilori’s lime coloured mesh booths and the dodgems..
MARISA BECIROVIC reviews Sin at the National Gallery, reflecting on how our contemporary conception of sin has strayed from its historical underpinnings. Wrongdoings, misdeeds..
Review: ‘Unfinished Business’ at the British Library
FRANCESCA KURLANSKY reviews Unfinished Business: The Fight for Women’s Rights at the British Library. ‘Girls are powerful’ These are the first words you..
JEAN WATT reviews the Bruce Nauman exhibition at Tate Modern, detailing how this bombardment on the senses is simultaneously humorous yet disarming. Over and..
ISABELLA JAKOBSEN reviews the Dóra Maurer exhibition at the Tate Modern, considering how Maurer’s practice is imbibed with the idiosyncrasies of Hungarian artistic production. Does..
JEAN WATT reviews Michael Clark: Cosmic Dancer at the Barbican and contemplates the emotive potential of physicality. I had never heard of Michael Clark until..
MAYA SALL reviews Toyin Ojih Odutola’s exhibition A Countervailing Theory and considers the often inaccessible nature of exhibition spaces.  When transitioning from the light of..
MARISA BECIROVIC reviews Among the Trees at the Hayward Gallery and explores how these fantastic natural features should, now more than ever, be appreciated for..
Review: Royal Society of Portrait Painters Annual Exhibition
EVIE ROBINSON reviews the Royal Society of Portrait Painters Annual Exhibition and ponders the effect of the visual exploration of the personal. The ultimate intention..
LILLIAN CACCIA reviews Electronic: From Kraftwerk to the Chemical Brothers at the Design Museum and muses upon her nostalgia for the club scene in times..
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