KELLY HOOY reviews Starving Dingoes at The Place. Starving Dingoes is both a haunting and electrifying spectacle of dance. Choreographer Lea Tirabasso presents her latest..
Era Journal was pleased to present ERA 2022, a group exhibition showcasing the work of twenty-seven UCL artists, on display at the Crypt Gallery from 31..
MATTEA CARBERRY reviews Memoria, an immersive, sensorial film starring Tilda Swinton. In its opening shot, Memoria (2021) places us in the dark with Jessica, shrouded..
HANNA BERNARD reviews Licorice Pizza, which has earned director Paul Thomas Anderson Best Picture and Best Director nominations at the Academy Awards this year. With..
This week, the Bloomsbury Theatre will be the site of the London debut of the original musical, My Land’s Shore, courtesy of UCL’s Musical Theatre..
ROMILLY SCHULTE reviews Vlatka Horvat’s By Hand, on Foot at PEER Gallery. Vlatka Horvat’s latest exhibition, By Hand, On Foot, currently on display at PEER..
WILL PALMER reflects on the career of influential French New Wave director, François Truffaut, in his review of the BFI Southbank’s latest season dedicated to..
FREDA CHAN outlines the BFI Southbank’s latest film season, ‘Seen & Heard: Daring Female Coming-Of-Age Films’, running now. In its current film season, the..
BRYAN WANG discusses Joel Coen’s latest film, The Tragedy of Macbeth, reimagining the gloom of Shakespeare’s classic tragedy. Winter had quite perniciously dawned upon..
LILY PENG reviews Wang Gongxin’s In-Between at White Cube Mason’s Yard. Two glaring light bulbs swing like pendulums across a rectangular pool. One side of..
KELLY HOOY reviews Amulet, a gothic horror film on female rage, directed by Romola Garai. Romola Garai’s debut film, Amulet (2020), is a bold yet..
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