MADDIE DUNN reviews Gatsby: The Musical at Southwark Playhouse Scott Fitzgerald’s The Great Gatsby (1925) is an iconic work. Its status as a Classic, treasured..
ERIN CROASDALE reviews Life of Pi at the Wyndham’s Theatre. A bestselling novel, an Oscar award winning film, now adapted into a theatrical spectacle. After..
ISABELLE OSBORNE reviews UCL Musical Theatre Society’s production of RENT at the Bloomsbury Theatre. Performed from 2-4 December in the Bloomsbury Theatre, UCL Musical Theatre..
BEN FRITH reviews the tenth anniversary revival of Tender Napalm at the King’s Head Theatre. ‘Woman’ and ‘Man’ dance with each other, sometimes apart,..
ZOSIA KIBAŁO reviews Vanara: The Legend at the Hackney Empire, exploring its message of unity and togetherness. Forest sounds echoed from the stage as I..
ALEX DARBY reviews Lolita Chakrabarti’s Hymn (2021) at the Almeida. Lolita Chakrabarti’s Hymn is a story of platonic love between two black men. This..
WILL FERREIRA DYKE reviews Channel 4’s Grayson’s Art Club. I started 2020 full of anticipation for numerous exhibitions showing across London. From Yayoi Kusama’s Infinity..
SOPHIE CUNDALL discusses theatre, intimacy, and the virtual stage. TW: sexual assault. Theatre requires intimacy. Theatre is intimacy. By definition, theatre is intimate. Whether it..
FRANCESCO D’ALESSIO reflects on the burial crisis and identity loss in the contemporary city. Cemeteries and graveyards resemble cities and villages. Graves are like buildings..
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