JAMES PATRICK CASEY reviews The Orwells at the Electric Ballroom, a band that outplayed their less impressive albums onstage. I’m not a fan of Chicago..
HARRIET HALL interviews Photographer AMEILA ALLEN. How would you describe your work? I only shoot people. Not because I’m against landscape photography, it just personally..
SAVAGE reviews The Mimetic Festival This year, the Mimetic Festival’s showcase of mime, puppetry, magic, cabaret and theatre took place in The Vaults, in the..
SASHA BURIK reviews Terror and Wonder: The Gothic Imagination, An Exhibition at the British Library A meticulous multimedia collection which occupied me for three hours,..
SAMANTHA CHEH reviews ‘Symphony’ at the Soho Theatre. Silence is a powerful tool in theatre: done right, it creates poignancy and enhances overall comedic timing;..
DANA MOSS reviews ‘Hoke’s Bluff’ at Shoreditch Town Hall. I was, admittedly, wary about viewing ‘Hoke’s Bluff’. On the surface it appears quintessentially American: centred..
LUCY FEIBUSCH reviews 3 Winters at The National Theatre, Southbank. Tena Stivicic’s 3 Winters is a triumph. The audience watches as the story of one..
TOM GLEDHILL reviews Fièvres, ‘a powerful exploration of cultural identity, family and rebellion’,  at Film Africa 2014. Running Time: 90mins Director: Hicham Ayouch Cast: Didier Michon,..
SUZANNA COOPER discusses the reception of public nudity. It was large, unusually but rather impressively spherical, covered in oil and manipulated beyond recognition with the..
CHARLIE STOTT’s original song Will I Find You is a beautiful example of melancholy rock-folk. His heartfelt lyrics are carried over an organic build of..
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