MATILDA PILLONEL reviews ‘Licensed To Ill’ at Camden People’s Theatre. This fast-paced, energetic production follows the career of the Hip Hop band the Beastie Boys from..
LAUREN BOWES considers the work of Angela Carter, following the release of her newest publication, Unicorn. Adrienne Rich once wrote of her father’s library that,..
Teenage Kicks and Sexual Consent in the Digital Age
LAURIE CHEN reviews ‘Four Minutes Twelve Seconds’ at Trafalgar Studios. British playwright James Fritz’s Olivier-nominated debut brilliantly navigates the murky moral maze of teenage sexuality..
THOMAS HETHERINGTON continues his exploration of the best films previewed at the BFI London Film Festival. Here he reviews ‘High-Rise’, released in cinemas next year...
NICK MASTRINI reviews ‘Carol’ at Picturehouse Central, where director Todd Haynes took part in a Q&A earlier this week. At a crucial moment in Carol,..
EMILY GRUZDOWICH reviews Frank Auerbach’s retrospective at the Tate Britain. In his chronicling of the passage of time, Frank Auerbach fashions tactile works of bygone..
With the re-release of David Lean’s landmark classic of suburban romance and repression, CALVIN LAW delves into this 70 year old cinematic masterpiece which has..
SOPHIE NEVRKLA reviews the rock quartet’s recent gig in Brixton. ‘So everyone,’ says The Vaccines frontman, Justin Hayward-Young, ‘it’s a Sunday evening. We should probably..
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