EDWARD CHRISTIE discusses whether the Royal Academy’s ‘Abstract Expressionism’ reflects the fundamental humanity its white, male artists claimed to represent. Lauded by the critic Jackie..
JESSICA BEASLEY considers ‘hygge’ and the Yuletide legacy of Charles Dickens and A Christmas Carol.   Unless you have decided to boycott bookshops this winter, almost undoubtedly..
SAM SUMMERS asks Will Sharpe about his mercurial career and its latest, most ambitious offering. Will Sharpe doesn’t make it easy for himself. Given that the success..
POLLY CREED reviews UCLU Drama Society’s Bunker at The Etcetera Theatre. Director (and co-writer) Patrick McPherson’s UCL debut, Bunker, offers a darkly comic vision of an apocalyptic..
ROBERT STEVENS reviews Benighted at the Old Red Lion Theatre. As well as writing plays for GCSE syllabuses, it turns out J.B. Priestley wrote novels too...
CALLUM ROSS relives the spine-tingling horror of The Woman in Black The second longest running West End play after The Mousetrap, The Woman in Black has chilled and..
JESS HOWLEY-WELLS reviews Muted at The Bunker. Muted tells the story of a young musician named Michael who suffers from selective mutism following the loss of his..
THOMAS HETHERINGTON reviews Hedda Gabler at the National Theatre. Ibsen. Marber. Van Hove. It’s hard to imagine a more tantalising trio of theatrical titans than this. Indeed,..
BEA BOWLES-BRAY explores how fear drives separatism in Kajsa Norman’s Bridge Over Blood River. ‘We shall build the society in which all South Africans, both..
Watch Literature Editor Bea Bowles-Bray in conversation with investigative journalist Kajsa Norman. CategoriesBea Bowles-Bray Literature Nick Mastrini Our Journal Savage Broadcast
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