SOPHIE CUNDALL interviews the director and producer of the upcoming production of A Clockwork Orange at the Bloomsbury Theatre. Since March last year, Srishti Chakraborty (Director)..
LAI YAN WONG reviews Sticky Door at VAULT Festival. Katie Arnstein’s heartfelt account of her personal life in her autobiographical solo show Sticky Door leaves..
MARTA BIINO considers the sustainability of food consumption and waste production. Addressing social and environmental issues is a growing trend in the contemporary art world...
ROSE DODD explores the neuroscience behind the creation and perception of fashion. Fashion can reflect wider society and contemporary politics, but it can also rebel..
PHOEBE THOMAS contemplates Mark Leckey’s O’Magic Power Of Bleakness There’s something unsettling about seeing a motorway in stasis. They are meant for high-speed transit, for..
ELLIE LACHS reviews Swive [Elizabeth] at the Sam Wannamaker Playhouse. The Sam Wanamaker Theatre’s latest production, Swive, directed by Natalie Abrahami and written by Ella Hickson,..
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