TESS LOWERY reflects on the effectiveness of performance art when dealing with issues of controversy. Content warning: -descriptions and discussion of sexual abuse -graphic descriptions..
LAURIE CHEN visited the London Human Rights Watch Film Festival to check out the ‘vividly human stories’ portrayed in The Dream of Shahrazad and interview..
JAMES PATRICK CASEY reviews Anti-Flag live at The Old Blue Last, and is equally impressed by the concentration of punk t-shirts in an unassuming Shoreditch..
NIALL ADAMS reviews UCLU Drama Society’s ‘Much Ado About Nothing’. On a crisp summer evening, Shakespeare’s comedy ‘Much Ado About Nothing’ came alive in UCLU..
NANCY HEATH reviews ‘Oresteia’ at the Almeida Theatre. Robert Icke’s grand adaptation of Aeschylus’ ‘Oresteia’, a harrowing family tragedy, is the opening play of the..
BECCA BAINBRIDGE reviews ‘The Motherf**ker With The Hat’ at the National Theatre. The title of Stephen Adly Guirgis’ play alone is enough of a departure..
James Patrick Casey dives into Anti-Flag’s latest record and punk’s obsession with ‘genuineness’. A pretty rigid career trajectory has developed for American hardcore bands whose careers..
ROSIE NOLAN reviews The Boyfriend. Director Sarah King delivers a stand out show with ‘The Boyfriend’; a relatively unknown musical from 1953, written by Sandy..
ROSIE NOLAN reviews Man of Steal. “Honest thief” James Freedman has devoted the last twenty-five years to perfecting the Art of the Steal. “The world’s..
ALASTAIR CURTIS reviews Product at the Arcola Theatre. ‘This is edgy stuff’, film executive Leah says as she flails around, desperately attempting to contract a young..
PHYLLIDA JACOBS reviews Titus Andronicus, as performed by an all-female cast at the Greenwich Theatre. The ‘Smooth Faced Gentlemen’ acting troop have brought their award-winning..
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