MAEVE ALLEN reviews Widows, an unnerving heist thriller with feminist overtones. When four career criminals are killed in an attempted robbery, their widows take up..
THOMAS NGUYEN reviews M/M as part of SAVAGE’s coverage of Fringe! Queer Film & Arts Festival. Drew Lint’s M/M is a modern-day tale of obsession. It follows..
ALICE DEVOY interviews Josh MacAlister, CEO of Frontline, a charity that trains and recruits social workers to undertake child protection work. Can you outline what..
THEO MERTEN-MANCER reviews The Accountant of Auschwitz, a documentary about the recent trial of Oskar Gröning, a surviving member of the SS. A study released on..
HEATHER DEMPSEY reviews The Daughters of Fire as part of SAVAGE’s coverage of Fringe! Queer Film & Arts Festival. In The Daughters of Fire, Albertina Carri reimagines..
BEATRICE KANIKA TECHAWATANASUK compares the artistic styles of Klimt and Schiele in the exhibition ‘Klimt / Schiele: Drawings from the Albertina Museum, Vienna’ at the..
MIER FOO discusses the digitalisation of the fashion industry. A staggering one billion people now use Instagram. Over 72% of these users purchase a product..
SOPHIE PARKER reviews UCL Musical Theatre Society’s production of Edges at the Bloomsbury Studio. Edges, a piece of musical theatre written in 2005, is the..
IMOGEN GODDARD explores the continuing relevance of Chaucer within a modern society obsessed with gossip and an increasing disregard of truth. Chaucer’s most well-known work..