SOPHIA COMPTON reviews Fury at Soho Theatre. Claiming (on the poster) that your play is ‘a modern day Medea’ sets a high bar for judgement: Medea is..
ZSÓFIA PAULIKOVICS explores the latest album from the multi-talented artist Dev Hynes. Synesthesia is a neurological condition in which the stimulation of one sense automatically..
AUDREY KADJAR reviews Mona Hatoum’s retrospective at the Tate Modern. With a radical body of work that eludes any attempt at categorisation, Mona Hatoum..
ALASTAIR CURTIS reviews ‘Painters’ Paintings: From Freud to Van Dyck’ at The National Gallery. It’s often said that our belongings make up who we are...
ALASTAIR CURTIS reviews Our Ladies of Perpetual Succour at the National Theatre. Arriving at the National from its Scottish tour, Lee Hall’s adaptation of Alan Warner’s..
ALASTAIR CURTIS reviews the London previews of Roll Up Theatre’s The School for Wives at the Courtyard Theatre. Moliere’s classic mixture of hypocrisy, innuendo and machiavellian..
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