KAITLIN FRITZ discusses Margy Kinmonth’s 2016 release, Revolution: New Art for a New World. Margy Kinmonth’s Revolution: New Art for a New World illustrates the artistic triumphs..
CALLUM ROSS reviews Insignificance at the Arcola theatre. Despite being 35 years old, the timeless quality of Terry Johnson’s Insignificance is proved by David Mercatali’s new production...
FAYE WILLS, a leading clay shooter, discusses how her accomplishments in the sport have been devalued based on her gender. Faye Wills started shooting when she..
BILLY PARKER’S work infuses an infatuation for the 2D world with early noughties pop culture and seventies disco interior design – to create paintings that transcend tackiness..
DANIEL JACOBSON reviews New Orleans Americana band Hurray For The Riff Raff’s London gig at KOKO. You can cut all the flowers, but you cannot keep Spring..
FINN BURGE reviews Tea Break Theatre’s Dracula. Through the topos of an after-dark tour of the historic Sutton House, with (for the purposes of full..
TOMMY WALTERS introduces the play Happy Yet? which tackles the stigma and humiliation of being labelled mentally ill. Following a sell-out run at Edinburgh’s 2016 Fringe, Happy Yet? moves..
AMY MACPHERSON reviews The Secret Keeper at Ovalhouse. In an era of high profile cover-ups, whistle-blowers, and scandals such as the banking crisis, the Catholic Church revelations..