SELMA REZGUI reviews ‘The Infinite Mix’ at The Store for BLACK HISTORY MONTH. The Infinite Mix: Contemporary Sound and Image is a collaborative exhibition presented..
DANIEL JACOBSON explores the latest album from the innovative Indie Folk band, Bon Iver. On Wednesday 28th September, two days before the release of 22,..
JENNA MAHALE ventures into the fraught battleground between dance and food in the spoken word performance, Fat Girls Don’t Dance. ‘They most certainly do dance, I’ll tell..
COLETTE ALLEN reviews the Guildhall School of Music and Drama’s production of ‘The Crucible’. Any school taking on ‘The Crucible’ does so in the knowledge..
JOE JACKSON places The Wedding Ring within the context of important depictions of female identity in African cinema. The Wedding Ring is, according to Film Africa, ‘a..
DIANDRA ŞOVĂILESCU reviews ‘Asmarina’ at Film Africa, a documentary that powerfully portrays the ways in which Eritrean and Ethiopian refugees in Italy preserve their cultural heritage. All of..
BENEDICT HOLZMANN reviews Rama Thiaw’s recent documentary, an energetic insight into the turbulence of West African politics. When you think of revolution, you might think..
SOPHIE NEVRKLA reviews folk rock singer Angel Olsen at Rough Trade. ‘Wow, you guys are quiet,’ says Angel Olsen, a couple of songs into her set. She gives..
NICK MASTRINI sees how Spike Lee’s 1989 film foreshadows the problems Black Lives Matter continue to contend with in 2016. It is increasingly difficult to differentiate between..
Bea Bowles-Bray looks into the need for compassion in You Will Not Have My Hate by Antoine Leiris. On Friday 13th November 2015, three heavily armed gunmen..
DYLAN TRENOUTH’s  latest release ‘No Alibis’. Ahead of Dylan and the Grooves’ performance at SAVAGE Sounds on October 24th, we take a look at ‘No Alibis’, the..