Daniel Jacobson discusses Manchester’s rich cultural heritage in the aftermath of last week’s terrorist attack. Recently, I listened to Elbow’s 2008 record Seldom Seen Kid for..
JAMES WITHERSPOON reviews This Is Not Culturally Significant at The Bunker. In the toilets of Southwark’s Bunker theatre, graffiti proudly proclaims ‘Mummy, I thought we..
Rosemary Moss reviews singer-songwriter John K. Samson’s recent gig at Islington O2. Though I sat inside the attic-like interior of the O2 Academy Islington, during..
ROBERT STEVENS reviews Living a Little at the King’s Head Theatre. Though initially seeming like an awkward play full of pantomime and crass jokes, once the rapport..
TESS LOWERY reviews Identity Crisis at Ovalhouse. “I didn’t know death could be so pretty,” gasps Phina Oruche, re-enacting the horrifying discovery of her beautiful 19-year-old..
An interview with FOR BREAKFAST in the wake of their debut release. SAVAGE caught up with For Breakfast after their show at Birthdays supporting Ghost..
INDIRA HOLZER details the daily adventures of a conservator. The slightly vague idea of a conservator as a ‘preserver of culture’, digging up and revealing..
ROBERT STEVENS reviews Salomé at the National’s Olivier Theatre Playing at the National Theatre, Yaël Farber’s Salomé is a production that is, de facto, good...
Thomas Cury reviews country duo Ward Thomas’s gig at the Shepherd’s Bush Empire on May 10th. Country isn’t a genre normally associated with ‘cool’— Taylor..
ROBERT STEVENS reviews Becoming Mohammed at the Pleasance Theatre. Becoming Mohammed tells the unusual story of a ginger-bearded, white, middle-class Thomas (Jack Hammett) who has converted..
Rosemary Moss reviews John Moreland’s gig at Islington’s Union Chapel on May 8th. With the dusky light withdrawing through the stained glass of the Union..
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