NICK MASTRINI reviews ‘Seymour: An Introduction’, actor Ethan Hawke’s delicately-crafted portrait of the classical pianist Seymour Bernstein. A gentle documentary about a gentle man, Seymour:..
COLETTE ALLEN reviews If I Were Me at Soho Theatre. The audience seated in the informal Upstairs at Soho Theatre are introduced to Philip (Nasi Voutsas)..
FLORA HASTINGS asks Juan Morales about his hopes and fears for the traditional Uruguayan Gaucho lifestyle in the twenty-first century. As a boy, Juan Morales rode two hours..
A poem by CAROLINE BIGLEY. Metal flowers bloom under bare lightbulbs forged by hand, the furnace of Phoebe. Ribbed and twisted curled and enveloping,..
PINCHAS KAHTAN reviews Charlie Kaufman’s ‘Anomalisa’, a stop-motion tale of love and loneliness in the modern world. In the opinion of the late David Foster..
ROBERT STEVENS reviews ‘The High Sun’, a remarkable film examining the ethnic tensions over three decades caused by the Balkan War. Now, somebody’s messed up..
LAURIE CHEN reviews the Oneohtrix Point Never’s recent London gig. Daniel Lopatin is full of surprises. The man who produces mind-bending, avant-garde electronica (under the moniker..
AMY MACPHERSON reviews William Hogarth’s mezzotint of Sarah Malcolm as part of our ‘GALLERIES – NO SALARIES’ series. It is difficult to maintain objectivity when..
‘And when I don’t feel it, it’s pointless’
ROSIE HEWITSON reviews the National Theatre’s production of Sarah Kane’s Cleansed If Sarah Kane is known at all outside the little world of the British..
Begin typing your search above and press return to search. Press Esc to cancel.