ROBERT STEVENS reviews A Year From Now at the VAULT Festival RedBellyBlack’s A Year From Now is an innovative and exciting piece of multi-media theatre that uses..
ELAINE WONG recounts the disorienting experience of growing up amongst several cultures. Globalisation is often considered in purely political, economic terms, forgetting not only the social..
HELEN QUAH reviews Tom Ford’s double-stranded tale of revenge. The deeper emotional malice of Tom Ford’s second feature film gets under your skin just as..
THOMAS HETHERINGTON reviews J. A. Bayona’s latest fantasy adventure. ‘If you need to break things, then by God you break them’. These emphatic words from..
BECKY KELLS investigates the increased marketisation of UCL, the National Student Survey, and calls to boycott it. A quick glance at the National Student Survey (NSS)..
SOPHIE NEVRKLA writes about one of America’s best, but most divisive, young songwriters. On Saturday 21st January 2017, I did not attend the Women’s March in..
FLOSSIE WILDBLOOD investigates the vibrant, political and self-questioning community that is Brainchild Festival. When spoken word poet Kate Tempest headlined the Roundhouse at the end of last..
TAMSIN PATERNOSTER captures the dream-like scenery of South India. Her photographic series documents the overlooked beauty of South India’s cities and landscapes. CategoriesLook Our Showcase Tamsin..
URI INSPECTOR reviews The Doppel Gang at Tristan Bates Theatre. Stephen Fry famously commented on the difference between British and American comedy, stressing the optimism..
ZSÓFIA PAULIKOVICS explores the relationship between music, women and automobiles. In 1991, Ridley Scott’s iconic road movie Thelma and Louise premiered to critical acclaim, catapulting its..
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