NANCY HEATH reviews ‘Sweeney Todd’ at Harrington’s Pie and Mash Shop. Bill Buckhurst’s new adaptation of ‘Sweeney Todd: The Demon Barber of Fleet Street’ has..
‘Choose Life. Choose a job. Choose a career. Choose a family…’
LYNSEY FORD reviews ‘Trainspotting’ showing at the Kings Head Theatre Pub. Following their triumphant run at The Edinburgh Fringe Festival from 31 July-24th August 2014, In..
LAURIE CHEN reviews UCLU Live Music Society’s production of ‘Rhapsody’. At first glance, the word ‘rhapsody’ conjures up visions of ecstasy and the heady feeling..
CHRISTIE DODMAN-LEAR reviews the ‘Victorian Obsession’ at the Leighton House Museum. Entering into the understated foyer of the Victorian dollhouse that is the Leighton House..
A poem by RUBY MASON. Never missed Evensong (the newspapers said) sang beautifully back conservatoire straight fingers spread on her hymnal as though poised..
JOSH LEE explores our attitude towards the mental health of London’s students. According to an NUS survey from 2013, one in five students feel that they..
NIALL ADAMS reviews the London premiere of ‘Buyer and Cellar’ at the Menier Chocolate Factory. Walking into the Menier, I am greeted with the sound..
NANCY HEATH reviews ‘Man and Superman’ at the National Theatre. Simon Godwin’s production of George Bernard Shaw’s century-old ‘Man and Superman’ has exploded into life..
AMY GWINNETT delves into the new Gaz Coombes LP. You know Gaz Coombes, right? The slightly annoying little brother of Britpop. Those sideburns. ‘Alright’. Christ,..
‘I Didn’t Tell Her I’d Love Her Forever, He Told Her That’
CHARLIE MACNAMARA reviews UCL’s Scenes of a Domestic Nature. Scenes of a Domestic Nature was staged across several rooms in a house in Holloway. This might..
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