MIRIAM ZEGHLACHE asks why Dante’s perception of sin in his Divine Comedy still resonates 700 years after his death. Dante Alighieri imagines in his..
Accessible Streaming: The Significance of Independent Platforms
OLLIE DIXON examines how independent streaming platforms support underrepresented cinema. In the wake of the COVID-19 pandemic, streaming is the contentious issue of the..
IÑAKI IRIARTE discusses the nature of reality and spectatorship as explored through Michael Haneke’s film Code Unknown (2000). Mainstream cinema tries to feed you the..
Feeling the Fear: why we prefer horror films to literature (and we might be wrong)
BARNABY HOWE advocates horror writing as he interrogates our love of horror films.   Horror films hold a special place in many people’s memories. Maybe..
Reflections on the Controversies of Our Former Provost
ASYIA IFTIKHAR reflects on the controversies surrounding Professor Michael Arthur’s time as President and Provost of UCL, after he stepped down earlier this year with..