ELLIE LACHS explores the political underpinnings of current trends in popular culture. Modern arts are both lauded and reviled for their subtlety. Some think they’re..
SELMA REZGUI reviews Revolt. She Said. Revolt Again at Bloomsbury Theatre. A series of straws that break the camel’s back. Alice Birch’s Revolt. She said...
PHYLLIS AKALIN reviews Xavier Dolan’s eighth feature film, Matthias et Maxime. Xavier Dolan’s eighth film readopts many of the themes highlighted in his former works (Mommy, 2014,..
SEBBY PERERA-SLATER interviews Catalina about her journey from bedroom DJ to Printworks Sebby first met Catalina during Rare Cuts X SAVAGE Sounds’ first night at..
JARVIS CARR reviews Hogir Hirori and Shinwar Kamal’s wartime documentary, The Deminer. There is no music to accompany Colonel Fakhir in the introductory scene of The..
Carolina Abbott Galvão covers the Justice for UCL Workers campaign At 8 AM on a Friday, Malet Place is cold, uncharacteristically empty and quiet. This..
TOM WHEATLEY reviews the 10th anniversary reissue of The Joy Formidable’s debut EP A Balloon Called Moaning. After an astoundingly successful decade of rumbling riffs..