JONNY HARVEY reviews Carlos SorÃn’s 2004 comedy, Bombón: El Perro, shown as part of The Cinema Museum’s Argentinian Film Season. Bombón: El Perro is a minimalist offering..
GEORGIA GOOD reviews Ian McEwan’s new novel Britain, 1982: the Falklands War is beginning, and Thatcher is in Number Ten. It’s a futuristic 1982, with..
READ Curator’s note: Continuing from our previous post, this piece is the second instalment of a 3-part short story. The last instalment will be posted..
LYDIA DE MATOS reviews Olivier Assayas’s latest film Non-Fiction. Concerned primarily with questions of the transition of media into the digital age, Non-Fiction (2019) is a..
THOMAS NGUYEN revisits François Ozon’s 2005 film Time to Leave. At the height of his career as a fashion photographer in Paris, thirty-year-old Romain (Melvil Poupaud) is..
ISOBEL MACLEOD reviews Last Orders at the Red Lion. ‘We are still here’. What makes mirrors scary? What makes us worry that our reflections might..
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