SAMANTHA CHEH reviews Collide Theatre’s production of ‘4.48 Psychosis’ Sarah Kane’s body of work is brief—only six major plays—but each contains a voice that must..
DAFYDD SINDEN reviews Don Paterson’s Forty Sonnets. Throughout literary history, the art of sonneteering has been upheld as the tried and tested means of reproducing the..
TOM BROADLEY explores the new album from the Vampire Weekend bassist. Chris Baio’s solo music has much in common with the band he’s most famous for,..
ROSIE HEWITSON reviews ‘Ant Street’ at the Arcola. Sitting on the sofa of a shabby flat in a nondescript Cuban neighbourhood, the Sanchez family is..
‘Why do you wanna do this in front of everyone?’
ROSIE HEWITSON reviews ‘Tonight I’m Gonna Be the New Me’ at Soho Theatre. There are few things more uncomfortable than unwittingly becoming the third wheel..
JACK BROPHY reviews ‘Carmen’ at Soho Theatre. Intriguing and involving, OperaUpClose’s production of Bizet’s ‘Carmen’ refashions the canonical, epic tale of passion and desire into..
ROSIE HEWITSON reviews ‘hamlet is dead. no gravity’ at the Arcola Theatre. Austrian playwright Ewald Palmetshofer’s ‘hamlet is dead. no gravity’ is running as part..