SASHA BURIK checks out the ‘motley assortment’ of experimental short films on offer at Leftfield & Luscious as part of the London Short Film Festival...
JAN KOBAL explores Björk’s new album, one wrought with emotional turmoil and personal acceptance. Björk, for a long time one of the only reasons people would..
A poem by HARRY OWEN Deliciously dizzy sunswept afternoons Spent diving and dipping through dark red lagoons And searching and swimming through cosmical lakes Cause..
AMY GWINNETT has something to say about No Cities To Love. (Warning: The reviewer finds it near impossible to write objectively about Sleater-Kinney because in her..
LUCY SILVER reviews ‘Private View’ showing at Theatre Delicatessen. On the stage of Theatre Delicatessen, Izabella Malewska lies on a waxing table as Lilly Pollard,..
WILLA HILDITCH brilliantly explores the progressive relationship between visual art and words. “i do believe art isn’t really about images anymore and words are more..
MADDY MARTIN reviews Zoïa Skoropadenko’s “flash” Torso exhibition. Zoïa Skoropadenko’s Torso exhibits under London Bridge’s Stock Exchange Rifle Club, a hidden location where visitors are..
SAMANTHA CHEH reviews ‘Contact.Com’ showing at the Park Theatre. ‘Contact.Com’ tries to do many things and be a something-for-everyone sort of show. In some cases,..
JAMES PATRICK CASEY sees Icon For Hire at the Islington Academy, an awesome, energetic band with a reluctant, incongruous fanbase. With my insulin pump bandaged..
CHRISTIE DODMAN-LEAR reviews Richard Whadcock at The Northcote Gallery Last month I attended the opening for Richard Whadcock’s solo exhibition at the Northcote Gallery, Chelsea...
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