IMOGEN GODDARD interviews Laraib Azam Rajper, organiser of this year’s TEDxUCLWomen: ‘Disrupt’ conference, taking place on 1st December. The TEDxUCLWomen conference is fast approaching and..
JASPER NEWPORT explores the decadent party age of the 1920s and its moral implications in Fitzgerald’s literature. The Great Gatsby, perhaps the finest work of..
SOPHIE PARKER reviews Clamour at the Roundhouse. Digital artists Simon Katan and Luke Fraser’s 2018 incarnation of their evolving show Clamour pitched itself as ‘an..
CHIARA MAURINO analyses the representation of the environment in Seamus Heaney’s poems ‘Act of Union’ and ‘The Bog Queen’. The landscape has always been a..
ENERZAYA GUNDALAI reviews Space Shifters at Southbank Centre’s Hayward Gallery. Beaded curtains, mirrors, translucent columns, and shining stainless steel orbs: these are the forms that..
BEATRICE KANIKA TECHAWATANASUK reviews Birds of Passage, a postcolonial take on the South American drug trade. Going beyond drug warfare and blood splattering, Birds of..
OLIVIA DALEY reviews UCL Drama Society’s Saint Joan at Bloomsbury Theatre. George Bernard Shaw’s Saint Joan tells the notorious story of Joan of Arc’s triumph and subsequent..
ALICE DEVOY covers UCL Climate Action Society’s Sustainability Symposium. On 16th November, Climate Action Society (CAS) hosted their flagship event ‘The Sustainability Symposium’ with that..
JADE BURROUGHES explores the noise of protest art by neo-conceptual artist Jenny Holzer. In a 2017 survey, Spanish visual media artist Daniel G. Andújar claimed..
Begin typing your search above and press return to search. Press Esc to cancel.