PHOEBE GARTHWAITE reviews SENSE at the St Pancras Church Crypt. A small huddle of about 20 people stand outside the large, ornate doors to the St Pancras..
SELMA REZGUI reviews the second night of Reclamation at the Bloomsbury Studio. A multi-disciplinary celebration of BAME writers, directors and performers at UCL, the second night of..
MONTY SHIELD looks at the historical importance of Malet Street as a space of student protest. On dreich winter days, Malet Street stands largely deserted, save..
ELEANOR LEE talks about her experience volunteering with The Hackney Pirates, and the crucial role of such charities in the face of cuts to education..
RUBY HARROP discusses the developments of UCL’s Fossil Free as part of a wider campaign to promote divestment from the fossil fuel industry and reinvest..
SOPHIE CUNDALL reviews Ok, Bye at the VAULT Festival. In RedBellyBlack’s Ok Bye, directed by Vicki Baton, physical theatre innovatively combines live dialogue and voiceovers to..
CHLOE TYE reviews Electra at The Bunker. Attending a show at the Bunker is always an experience; a former underground parking garage, the space feels at..
SELMA REZGUI reviews The Sea at the Camden People’s Theatre. ‘Waiting for a connection.’ I’ve often joked that the tinny and plaintive voice that comes out of..
ISABEL WEBB speaks to Raniyah Qureshi, the founder of AWOMENfest, a three day feminist art festival that launches this month. Picture the scene: nestled in..
Building affinity among diasporic communities in the U.K. A piece by HARVI CHERA. There’s a difference between the following two questions: Where you from? Where..
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