ROBERT STEVENS reviews ‘Homme Less’, a documentary about model and photographer Mark Reay that ‘attempts to make fiction out of reality’. “Why make fiction when..
OLIVIA O’GRADY reviews ‘Daddy’s Home’, Will Ferrell and Mark Wahlberg’s latest comedy about modern manhood in crisis. If Will Ferrell’s priceless performance in the arguably..
Room for more? GEORGIE COWAN-TURNER looks at Lenny Abrahamson’s adaptation of Emma Donoghue’s much-loved novel. I am not surprised that Room is an Oscar contender;..
LIAM DONOVAN reviews Adam McKay’s Wall Street comedy, ‘The Big Short’. Having won the Producer’s Guild Best Picture, The Big Short has emerged recently as the surprise..
GEORGE KUHN reviews Hou Hsiao-Hsien’s martial arts film ‘The Assassin’. Returning after an absence of eight years, director Hou Hsiao-Hsien brings us a reimagining of..
IRIS BREWARD reviews Alejandro G. Iñárritu’s ‘The Revenant’. Alejandro G. Iñárritu’s new film is a sensory wonder, but one which ultimately sacrifices substance in favour..
NOAH REICH looks at ‘Caprichosos de San Telmo’, Alison Murray’s personal homage to the working class musicians and dancers of Buenos Aires. Alison Murray’s poignant,..
ROBERT STEVENS reviews Nikolaus Geyrhalter’s ‘Over the Years’, a documentary 10 years in the making and playing at the DocHouse this month. Over the Years..
SAM TAYLOR reviews Steven Spielberg’s Bridge of Spies, nominated for Best Picture at the Academy Awards. It is 1957, the height of Cold War tensions...
NICHOLAS MASTRINI reviews Paulo Sorrentino’s new film ‘Youth’, starring Michael Caine and Harvey Keitel. Youth involves contemplation, inspiration and resignation. It stars Michael Caine and..
MAYMANA AREFIN reviews Hadja Lahbib’s uplifting documentary ‘Patience, Patience, You’ll Go to Paradise’ at the DocHouse. “In my village being a young woman meant being..
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