DANA MOSS reviews ‘Hoke’s Bluff’ at Shoreditch Town Hall. I was, admittedly, wary about viewing ‘Hoke’s Bluff’. On the surface it appears quintessentially American: centred..
LUCY FEIBUSCH reviews 3 Winters at The National Theatre, Southbank. Tena Stivicic’s 3 Winters is a triumph. The audience watches as the story of one..
TOM GLEDHILL reviews Fièvres, ‘a powerful exploration of cultural identity, family and rebellion’,  at Film Africa 2014. Running Time: 90mins Director: Hicham Ayouch Cast: Didier Michon,..
SUZANNA COOPER discusses the reception of public nudity. It was large, unusually but rather impressively spherical, covered in oil and manipulated beyond recognition with the..
CHARLIE STOTT’s original song Will I Find You is a beautiful example of melancholy rock-folk. His heartfelt lyrics are carried over an organic build of..
ALASTAIR CURTIS reviews ‘Howie the Rookie’ at the Barbican Theatre After their lauded London premiere of Enda Walsh’s ‘Ballyturk’ earlier this year at the National..
SOPHIE MEADOWS reviews UCLU’s Musical Theatre Society’s production of ‘Parade’ at the Bloomsbury Theatre. When a 13 year old girl is found dead in the..
TOM BROADLEY reviews Jon Hopkins’ pared back EP, Asleep Versions. One of the most incredible electronic albums of recent years, Jon Hopkins’ Immunity became a..
JOSH LEE sheds some light on pornography’s latest venture. Have you ever had an erotic Where’s Wally-themed fantasy?  We start with an aerial view of..
JAMES PATRICK CASEY sees Rise Against at the Brixton Academy and thinks they deliver the same awesome punch in the face they’ve been delivering for years...
Laurie Chen takes us through Clark’s mesmerising new album. Recorded in a barn in the middle of the English countryside, 35-year old electronic producer Chris..
ANDROULA KAFA interviews Antonis Kanakis exclusively for SAVAGE. Kanakis is producer, director and narrator of Immersion, an honest, moving and technically accomplished documentary about life conditions in..
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