SOPHIE MEADOWS interviews artistic director Alex Parsonage about his upcoming physical entertainment collaboration – the Mimetic Festival. ‘You know the smell of the Underbelly in..
BECKY BAINBRIDGE reviews ‘The Curious Incident of the Dog in the Nighttime’. Mark Haddon’s bestselling novel-turned-play made headlines last December, when the acclaimed production at..
PHYLLIDA JACOBS discusses Sarah Blake’s Stage Adaptation and performance of ‘A Room of One’s Own’. A basement theatre in Shoreditch’s The Book Club seems a..
TOM BROADLEY reviews First Aid Kit, playing at The Royal Albert Hall on 24th September. This two-sister act from Stockholm, playing a 70s-shaded Americana, have..
SOPHIE MEADOWS marvels at ‘The Art of Brick’ and Nathan Sawaya’s LEGO creations. Thank goodness for Nathan Sawaya’s mid-life crisis. The New-York based lawyer turned..
HEATHER TAYLOR reviews CATCHING DREAMS, CRIMES AGAINST ART at Royal Festival Hall, Southbank Centre The rise of ‘outsider art’ over recent years has meant its..
NANCY HEATH reviews the stage adaption of ‘Wolf Hall’ and ‘Bring up the Bodies’ Going to a Matinee always generates a different feeling than an..
PATRICK MATTHEWSON AND HOLLY HUDSON talk Klubbing for Karma. One of the most unique events on the student night circuit, ‘Karma Klub’ serves up an..
ANDROULA KAFA reviews Immersion, a documentary about life conditions and development aid in Sierra Leone. When I see ‘development’ and ‘documentary’ in the same sentence,..
ALEX ANDREW looks at Gone Girl’s Soundtrack. Nine Inch Nail’s frontman Trent Reznor is ‘scoring’ something a little different these days. Not only has he..
Evita: The Power of Dreams and Dangers of Ambition
NIALL ADAMS reviews the musical ‘Evita’ at The Dominion Theatre. The last London revival of ‘Evita’ closed just seven years ago; it would be forgivable..
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