THOMAS NGUYEN reviews M/M as part of SAVAGE’s coverage of Fringe! Queer Film & Arts Festival. Drew Lint’s M/M is a modern-day tale of obsession. It follows..
THEO MERTEN-MANCER reviews The Accountant of Auschwitz, a documentary about the recent trial of Oskar Gröning, a surviving member of the SS. A study released on..
HEATHER DEMPSEY reviews The Daughters of Fire as part of SAVAGE’s coverage of Fringe! Queer Film & Arts Festival. In The Daughters of Fire, Albertina Carri reimagines..
BEATRICE KANIKA TECHAWATANASUK compares the artistic styles of Klimt and Schiele in the exhibition ‘Klimt / Schiele: Drawings from the Albertina Museum, Vienna’ at the..
ENERZAYA GUNDALAI reviews Space Shifters at Southbank Centre’s Hayward Gallery. Beaded curtains, mirrors, translucent columns, and shining stainless steel orbs: these are the forms that..
BEATRICE KANIKA TECHAWATANASUK reviews Birds of Passage, a postcolonial take on the South American drug trade. Going beyond drug warfare and blood splattering, Birds of..
MAILI NEGI iterates the Swiss Passport Office art experience at Galerie Thaddeaus Ropac. Tom Sachs’ 24-hour live art installation, Swiss Passport Office, gave privileged art..
HEATHER DEMPSEY reviews Been So Long, Tinge Krishnan’s glistening London musical. Bold, neon-bathed, and utterly unashamed, Tinge Krishnan’s Been So Long is great big Camden..
ISABELLA JAKOBSEN reviews The Distance You Have Come at Cockpit Theatre. In The Distance You Have Come, the stories of six different people have been..
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