WILL FERREIRA DYKE considers how the experience of viewing art will have changed in a post-Covid world. As lockdown begins to ease, art galleries and..
RUBY ANDERSON reviews UCL Art Society’s Virtual Exhibition, Natural/Unnatural. The theme of UCL Art Society’s annual exhibition could not have been more prudent for the..
WILL FERREIRA DYKE reviews Channel 4’s Grayson’s Art Club. I started 2020 full of anticipation for numerous exhibitions showing across London. From Yayoi Kusama’s Infinity..
JEAN WATT speaks with four creatives who are making bespoke and up-cycled clothing to explore how fashion is slowing down, becoming more personal and more..
FRANCESCO D’ALESSIO reflects on the burial crisis and identity loss in the contemporary city. Cemeteries and graveyards resemble cities and villages. Graves are like buildings..
MARIA PERSU contemplates her discovery of Nordic environmentalist art. I arrived in Helsinki on Midsummer Night, a celebration where Finns light up huge bonfires and..
ASIA CHOUDHRY reviews Olafur Eliasson’s In Real Life at the Tate Modern. Scrolling through Instagram one day during summer, I stumbled upon pictures of my..
MARTA BIINO considers the sustainability of food consumption and waste production. Addressing social and environmental issues is a growing trend in the contemporary art world...
ROSE DODD explores the neuroscience behind the creation and perception of fashion. Fashion can reflect wider society and contemporary politics, but it can also rebel..
PHOEBE THOMAS contemplates Mark Leckey’s O’Magic Power Of Bleakness There’s something unsettling about seeing a motorway in stasis. They are meant for high-speed transit, for..
SHANTI GIOVANNETTI-SINGH discusses the significance of cultural destruction in the exhibition Culture Under Attack at the Imperial War Museum On 15th April 2019, a structure..
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