INNOKA BARTLETT interviews co-curator of Bahrain Art Week 2018, Kaneka Subberwal. Kaneka Subberwal’s elegant articulations of thought, as revealed in this interview, was reflected in..
BEATRICE KANIKA TECHAWATANASUK compares the artistic styles of Klimt and Schiele in the exhibition ‘Klimt / Schiele: Drawings from the Albertina Museum, Vienna’ at the..
MIER FOO discusses the digitalisation of the fashion industry. A staggering one billion people now use Instagram. Over 72% of these users purchase a product..
HELENA WACKO explores the juxtaposition of aesthetics and crude reality in the work of photographer Mandy Barker. Every now and again, an image of sea..
ENERZAYA GUNDALAI reviews Space Shifters at Southbank Centre’s Hayward Gallery. Beaded curtains, mirrors, translucent columns, and shining stainless steel orbs: these are the forms that..
JADE BURROUGHES explores the noise of protest art by neo-conceptual artist Jenny Holzer. In a 2017 survey, Spanish visual media artist Daniel G. Andújar claimed..
MAILI NEGI iterates the Swiss Passport Office art experience at Galerie Thaddeaus Ropac. Tom Sachs’ 24-hour live art installation, Swiss Passport Office, gave privileged art..
EMER DALY considers Anni Albers’ retrospective at the Tate Modern. In the Tate Modern’s new retrospective of Anni Albers’ geometrically complex textile art, we are..
KATIE CROWSON reviews the ‘London Nights’ exhibition at the Museum of London. “Cities, like cats, will reveal themselves at night.” Certainly, Rupert Brooke’s sentiment is..
THOMAS NGUYEN discusses the merging of masculinity and femininity in fashion. ‘Fashion reflects the time we live in’ declared Coco Chanel. A powerful tool of representation..
ALEK ROSE explores how politics and fashion have been linked in Russia since the revolution. After being associated with social and criminal deviancy for the majority of its..
KACPER KOLĘDA reviews ‘Basquiat: Boom for Real’ at the Barbican. More than twenty years have passed since the first — and last — posthumous exhibition of..
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