NANCY HEATH reviews ‘Oresteia’ at the Almeida Theatre. Robert Icke’s grand adaptation of Aeschylus’ ‘Oresteia’, a harrowing family tragedy, is the opening play of the..
BECCA BAINBRIDGE reviews ‘The Motherf**ker With The Hat’ at the National Theatre. The title of Stephen Adly Guirgis’ play alone is enough of a departure..
ROSIE NOLAN reviews The Boyfriend. Director Sarah King delivers a stand out show with ‘The Boyfriend’; a relatively unknown musical from 1953, written by Sandy..
ROSIE NOLAN reviews Man of Steal. “Honest thief” James Freedman has devoted the last twenty-five years to perfecting the Art of the Steal. “The world’s..
ALASTAIR CURTIS reviews Product at the Arcola Theatre. ‘This is edgy stuff’, film executive Leah says as she flails around, desperately attempting to contract a young..
PHYLLIDA JACOBS reviews Titus Andronicus, as performed by an all-female cast at the Greenwich Theatre. The ‘Smooth Faced Gentlemen’ acting troop have brought their award-winning..
BECCA BAINBRIDGE reviews the Royal Shakespeare Company’s Death of a Salesman at the Noël Coward Theatre. Sat in his shed in Connecticut in 1948, Arthur..
Don’t they teach you what ‘forgive’ means anymore?
NICOLA WATKINSON reviews Animals at Theatre503. In this world where children are – literally as well as figuratively – wrapped in bubble wrap until the age of..
SOPHIE MEADOWS reviews ‘A Mad World My Masters’ at the Barbican. After abounding success in Stratford in 2013, the Royal Shakespeare Company’s ‘A Mad World..
LUCY SILVER reviews ‘Plastic Figurines’ by Ella Carmen Greenhill, at the New Diorama Theatre. ‘Plastic Figurines’ is a close, personal drama that explores the dynamics..
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