JACK BROPHY reviews ‘Carmen’ at Soho Theatre. Intriguing and involving, OperaUpClose’s production of Bizet’s ‘Carmen’ refashions the canonical, epic tale of passion and desire into..
ROSIE HEWITSON reviews ‘hamlet is dead. no gravity’ at the Arcola Theatre. Austrian playwright Ewald Palmetshofer’s ‘hamlet is dead. no gravity’ is running as part..
LYNSEY FORD reviews ‘Asking Rembrandt’ at The Old Red Lion. Set in the Netherlands in 1658, Steve Gooch’s third play, ‘Asking Rembrandt’, focuses on the..
BECCA BAINBRIDGE reviews ‘Scotch and Soda’ at the London Wonderground at the Southbank Centre. In a programme chock-a-block with quirky acts, ‘Scotch and Soda’ at..
TESS LOWERY reviews ‘Pyramid Texts’ at Soho Theatre. Geoff Thompson’s one-man play begins inauspiciously enough, with a weathered and silver-haired former boxer called Ray (Chris Fairfank)..
JACK BROPHY reviews ‘The Grönholm Method’. A window into the obscure workings of authority in our everyday lives, ‘The Grönholm Method’ vividly represents the strain..
NIALL ADAMS reviews UCLU Drama Society’s ‘Much Ado About Nothing’. On a crisp summer evening, Shakespeare’s comedy ‘Much Ado About Nothing’ came alive in UCLU..
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