MO-JAI MCKEOWN reviews Steve Loveridge’s biographical documentary about the life of rapper and artist M.I.A. The title of Steve Loveridge’s astute take on the intermittently..
NICK FERRIS reviews Idris Elba’s first feature as a director. Told through a nostalgic haze of Ganja smoke and reggae beats, Idris Elba’s directorial debut is a..
CLARISSA SIU discusses the varying responses to the female remakes of the Ocean’s and Ghostbusters franchises. One of the most anticipated films of the summer, Ocean’s 8, arrived..
FARIDA EL KAFRAWY reviews Adam Sobel’s documentary as part of SAVAGE’s coverage of Human Rights Watch film festival. The Workers Cup is a heart-warming portrait..
FARIDA EL KAFRAWY reviews Raymond Depardon’s documentary, which follows patients at a French psychiatric hospital. A young man and psychiatric patient sit across from a..
MO-JAI MCKEOWN reviews Lynne Ramsay’s psychological drama. A fractured rumination on violence and revenge imbued with tangible feelings of regret and shame, Lynne Ramsay’s adaption..
CLARISSA SIU reviews Craig Gillespie’s mockumentary-style biopic of the American figure-skating legend Tonya Harding. I, Tonya is a polyphonic retelling of the then 23-year-old figure..
MO-JAI MCKEOWN discusses this ambitious but problematic look at a grieving trans woman, suspected of the murder of her partner. Sebastián Lelio’s A Fantastic Woman,..
JESSICA EVANS reviews Greta Gerwig’s coming-of-age debut. In many respects, Lady Bird is a quintessential coming-of-age film. Set in 2002 Sacramento, Christine McPherson (Saoirse Ronan)..
Beatrice K T discusses Sean Baker’s new release, ‘The Florida Project’. Sean Baker’s ‘The Florida Project’ is a tale about children growing up in the grimy..
THOMAS NGUYEN reviews Luca Guadagino’s latest film, a celebration and exploration of budding queer love. Due to its emotional intelligence and remarkably self-aware direction, Call..