SOPHIE PARKER reviews UCL Musical Theatre Society’s production of Edges at the Bloomsbury Studio. Edges, a piece of musical theatre written in 2005, is the..
SOPHIE PARKER reviews Clamour at the Roundhouse. Digital artists Simon Katan and Luke Fraser’s 2018 incarnation of their evolving show Clamour pitched itself as ‘an..
OLIVIA DALEY reviews UCL Drama Society’s Saint Joan at Bloomsbury Theatre. George Bernard Shaw’s Saint Joan tells the notorious story of Joan of Arc’s triumph and subsequent..
SONIA CHUI talks to ROSEMARY MOSS, MARIA DÜSTER and UDOKA MAYA OKONKWO about UCL Drama Society and Stage Crew’s upcoming production of Saint Joan. Speaking..
IDO VOCK reviews Momma Golda at the King’s Head Theatre. Thelma Ruby is 93. As her new play Mamma Golda unfolds, it’s astounding to remember that the spritely..
PHOEBE GARTHWAITE reviews UCL Drama Society’s LGBT+ showcase at the Bloomsbury Studio. UCL Drama Society’s LGBT+ showcase was their first this year, a slickly run..
ISABELLA JAKOBSEN reviews The Distance You Have Come at Cockpit Theatre. In The Distance You Have Come, the stories of six different people have been..
ANNA CHIPPENDALE reviews UCL Freshers Plays Venus Fly Trap and The Storyteller. Auditioned, cast, rehearsed and performed within a week, UCL Drama Society’s Freshers Plays invite..
DANIEL LUBIN reviews Paul O’Donnell’s We’ve Got Each Other at the Pleasance Theatre. It’s hard to talk about We’ve Got Each Other without giving it away...
IMOGEN GODDARD reviews Pentire Street Productions’ Spiders. Spiders, a new play by student writer Billie Collins, examines homelessness through the incident of a rough sleeper..
DANIEL LUBIN reviews the Florence Theatre Company’s Protest Song. In the UK, the number of rough sleepers in 2017 alone rose by 15%, according to government statistics...
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