LYNSEY FORD reviews ‘Asking Rembrandt’ at The Old Red Lion. Set in the Netherlands in 1658, Steve Gooch’s third play, ‘Asking Rembrandt’, focuses on the..
BECCA BAINBRIDGE reviews ‘Scotch and Soda’ at the London Wonderground at the Southbank Centre. In a programme chock-a-block with quirky acts, ‘Scotch and Soda’ at..
TESS LOWERY reviews ‘Pyramid Texts’ at Soho Theatre. Geoff Thompson’s one-man play begins inauspiciously enough, with a weathered and silver-haired former boxer called Ray (Chris Fairfank)..
JACK BROPHY reviews ‘The Grönholm Method’. A window into the obscure workings of authority in our everyday lives, ‘The Grönholm Method’ vividly represents the strain..
LAURIE CHEN visited the London Human Rights Watch Film Festival to check out the ‘vividly human stories’ portrayed in The Dream of Shahrazad and interview..
JAMES PATRICK CASEY reviews Anti-Flag live at The Old Blue Last, and is equally impressed by the concentration of punk t-shirts in an unassuming Shoreditch..
NIALL ADAMS reviews UCLU Drama Society’s ‘Much Ado About Nothing’. On a crisp summer evening, Shakespeare’s comedy ‘Much Ado About Nothing’ came alive in UCLU..
NANCY HEATH reviews ‘Oresteia’ at the Almeida Theatre. Robert Icke’s grand adaptation of Aeschylus’ ‘Oresteia’, a harrowing family tragedy, is the opening play of the..
BECCA BAINBRIDGE reviews ‘The Motherf**ker With The Hat’ at the National Theatre. The title of Stephen Adly Guirgis’ play alone is enough of a departure..
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