James Patrick Casey dives into Anti-Flag’s latest record and punk’s obsession with ‘genuineness’. A pretty rigid career trajectory has developed for American hardcore bands whose careers..
ROSIE NOLAN reviews The Boyfriend. Director Sarah King delivers a stand out show with ‘The Boyfriend’; a relatively unknown musical from 1953, written by Sandy..
ROSIE NOLAN reviews Man of Steal. “Honest thief” James Freedman has devoted the last twenty-five years to perfecting the Art of the Steal. “The world’s..
ALASTAIR CURTIS reviews Product at the Arcola Theatre. ‘This is edgy stuff’, film executive Leah says as she flails around, desperately attempting to contract a young..
PHYLLIDA JACOBS reviews Titus Andronicus, as performed by an all-female cast at the Greenwich Theatre. The ‘Smooth Faced Gentlemen’ acting troop have brought their award-winning..
LAURIE CHEN reviews an exclusive taster of Jamie xx’s forthcoming album. If the tantalizing drip-feed of solo material released by Jamie xx in the past few..
JUDITCH BORGHOUTS explores the sounds on the new Death Cab For Cutie record. When Ben Gibbard and Zooey Deschanel’s divorce was announced in 2011, as..
Courtesy of DocHouse, TOM GLEDHILL checks out the ‘thoughtful and engaging’ documentary Uyghurs: Prisoners of the Absurd. After fleeing Xinjiang in northwest China due to persecution..
1971 – A Documentary from the Team behind Citizenfour
GEORGE NOTT checks out a preview of 1971, a documentary ‘well worth your attention’, and showing in London from 5th-11th June at Bertha DocHouse in Curzon..
Cleanin’ Out My Cabinet: Weimar Cinema vs German Expressionism
A must-read for cinephiles, JOE JACKSON takes an in-depth look at Weimar Cinema and warns against the broad strokes of generic classification. CONTAINS SPOILERS. On..
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