TOM BROADLEY explores the new album from the Vampire Weekend bassist. Chris Baio’s solo music has much in common with the band he’s most famous for,..
ROSIE HEWITSON reviews ‘Ant Street’ at the Arcola. Sitting on the sofa of a shabby flat in a nondescript Cuban neighbourhood, the Sanchez family is..
‘Why do you wanna do this in front of everyone?’
ROSIE HEWITSON reviews ‘Tonight I’m Gonna Be the New Me’ at Soho Theatre. There are few things more uncomfortable than unwittingly becoming the third wheel..
JACK BROPHY reviews ‘Carmen’ at Soho Theatre. Intriguing and involving, OperaUpClose’s production of Bizet’s ‘Carmen’ refashions the canonical, epic tale of passion and desire into..
ROSIE HEWITSON reviews ‘hamlet is dead. no gravity’ at the Arcola Theatre. Austrian playwright Ewald Palmetshofer’s ‘hamlet is dead. no gravity’ is running as part..
SAMANTHA CHEH reviews the summer installation ‘Utopia’ at The Roundhouse, Camden. The voices in Penny Woolcock’s installation ‘Utopia’ are legion; they slip in and out of..
‘Covering the Carpet’: Uncovering Jocelyn Allen
FreshFaced + WildEyed is the Photographer’s Gallery’s annual celebration of the UK’s best MA and BA Visual Arts graduates. HOLLY CONNOLLY speaks to JOCELYN ALLEN, one..
Courtesy of DocHouse, GEORGE NOTT takes a look at Chuck Workman’s ‘noble and largely successful’ documentary on the life and work of Orson Welles. Director:..
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