JAMES PATRICK CASEY sees Icon For Hire at the Islington Academy, an awesome, energetic band with a reluctant, incongruous fanbase. With my insulin pump bandaged..
CHRISTIE DODMAN-LEAR reviews Richard Whadcock at The Northcote Gallery Last month I attended the opening for Richard Whadcock’s solo exhibition at the Northcote Gallery, Chelsea...
TOM BROADLEY gives his opinion on Herron’s funky new track. Unchained desire and unrequited love is common enough material for music, however it takes a..
ANJELICA BARBE reviews ‘Slowdive’ playing at the Forum during their acclaimed reunion tour. Alongside My Bloody Valentine and Ride, Slowdive are pioneers of the shoegaze genre...
TOM GLEDHILL reviews An Bronntanas at the Irish Film Festival London Director: Tom Collins Written by: Tom Collins, Eoin McNamee and Joe O’Byrne Starring: Dara Devaney,..
Warning: This Show Will Leave Your Face Hurting From Laughing
SOPHIE MEADOWS reviews ‘Kraken’ showing at the Soho Theatre. From the Edinburgh Fringe 2013 comes ‘Kraken’, Trygve Wakenshaw’s sequel to ‘Squidboy’. Sold out for its..
LAURIE CHEN reviews Egon Schiele: The Radical Nude, an exhibition at the Courtauld Gallery. Almost a century after his death, the powerful, subversive works of..
NIALL ADAMS reviews ‘Jack and the Beanstalk’ at the Greenwich Theatre Pantomime. One of the oldest theatre traditions. Every year hundreds flood the stage; many..
NANCY HEATH reviews ‘A Christmas Carol’ ‘A Christmas Carol’ is performed in a small, warm room above the Old Red Lion Pub, where director Gus..
NANCY HEATH reviews ‘Last Christmas’ showing at the Soho Theatre From the title, I expected Christmas cheer and nostalgia which, in a roundabout way, this..
LAURIE CHEN reviews a secret gig hosted by Sofar Sounds. Sofar Sounds unofficially began in 2009, when two friends started hosting a series of small, intimate..
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