ALASTAIR CURTIS reviews ‘Howie the Rookie’ at the Barbican Theatre After their lauded London premiere of Enda Walsh’s ‘Ballyturk’ earlier this year at the National..
SOPHIE MEADOWS reviews UCLU’s Musical Theatre Society’s production of ‘Parade’ at the Bloomsbury Theatre. When a 13 year old girl is found dead in the..
TOM BROADLEY reviews Jon Hopkins’ pared back EP, Asleep Versions. One of the most incredible electronic albums of recent years, Jon Hopkins’ Immunity became a..
JAMES PATRICK CASEY sees Rise Against at the Brixton Academy and thinks they deliver the same awesome punch in the face they’ve been delivering for years...
Laurie Chen takes us through Clark’s mesmerising new album. Recorded in a barn in the middle of the English countryside, 35-year old electronic producer Chris..
ANDROULA KAFA interviews Antonis Kanakis exclusively for SAVAGE. Kanakis is producer, director and narrator of Immersion, an honest, moving and technically accomplished documentary about life conditions in..
BECKY BAINBRIDGE reviews ‘Stink Foot’ at the Yard Theatre. The Yard Theatre, nestled amongst the labyrinthine network of warehouses in Hackney Wick, is an apt..
MAREK MAJ previews Sergei Loznitsa’s Maidan – a ‘thrilling, incendiary piece of cinema’ – courtesy of DocHouse. Highly regarded Ukrainian filmmaker Sergei Loznitsa returns to..
REBECCA SPEARE-COLE reviews ‘Cans’ a bold new play by Stuart Slade at Theatre503 When the audience settled into their seats for the debut production of..
As SAVAGE visits the Irish Film Festival in London, GEORGE NOTT discusses the importance of film festivals in the modern cinema industry. 19th November marks..
BECKY BAINBRIDGE talks to director Jeff James about his latest production ‘Stink Foot’ It is a play that the young student Jeff James envisaged he..
VANYA JONES reviews Peter KriÅ¡túfek’s ‘The House of the Deaf Man’ Welsh independent publisher Parthian has given itself a challenge: fishing overseas for fresh literature..
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