EMMA CHEUNG explores the concealment of queer identity in Sarah Waters’ Fingersmith and Park Chan-Wook’s The Handmaiden. The lesbian narrative of Sarah Waters’ Fingersmith revolves..
ALICE DEVOY looks at the what, why and who of swearing. Some words are more shocking than others. They have been deemed inappropriate, offensive or disrespectful, and..
CLARISSA SIU discusses the varying responses to the female remakes of the Ocean’s and Ghostbusters franchises. One of the most anticipated films of the summer, Ocean’s 8, arrived..
JAMIE HARDIE reviews UCL Drama Society’s Eigengrau and Girl in Yellow Raincoat at the Bloomsbury Studio. Drama Society’s term three double bill in the Bloomsbury Studio was a fitting..
ABDUL RASHIDI reviews Awolnation’s new album, Here Come the Runts After their most notable hit was hijacked by the now deceased app Vine, Awolnation are..
SELMA REZGUI reviews the second night of Reclamation at the Bloomsbury Studio. A multi-disciplinary celebration of BAME writers, directors and performers at UCL, the second night of..
ELEANOR LEE talks about her experience volunteering with The Hackney Pirates, and the crucial role of such charities in the face of cuts to education..
RUBY HARROP discusses the developments of UCL’s Fossil Free as part of a wider campaign to promote divestment from the fossil fuel industry and reinvest..
SELMA REZGUI reviews The Sea at the Camden People’s Theatre. ‘Waiting for a connection.’ I’ve often joked that the tinny and plaintive voice that comes out of..
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