IMOGEN GODDARD reviews UCL Musical Theatre and Stage Crew’s Rent. As a play set over Christmas, the last weekend before the end of the Autumn term was the..
ELLA WILSON and DANIEL LUBIN review UCL Drama Society’s As You Like It. Plastic trees and a pale patchwork backdrop. The neutrality of Georgia Green’s set..
JASPAR KENTON reviews The Other, UCL Drama Society’s original adaptation of Miguel de Unamuno’s El Otro. Twin brothers. One killed, the other his killer. But who is who?..
SOPHIE CUNDALL reviews the final night of UCL Drama Society’s Women, Power and Politics showcase. The night’s first show, The Milliner and The Weaver, directed by Cara..
IMOGEN GODDARD reviews the second night of the Women, Power and Politics showcase. Part of UCL Drama Society’s Women, Power, and Politics showcase, the two..
TANYA HUSSAIN reviews the first night of UCL Drama Society’s Women, Power and Politics showcase. Originally put on at the Tricycle Theatre in 2010, the..
AMY MACPHERSON reviews UCLU Drama Society’s Blood Wedding. The sun goes in; the tragedy begins. The portico of the main UCL building has undergone a transformation...
URI INSPECTOR continues to explore the creative process behind Walls, UCL’s contribution to this year’s London Student Drama Festival. Times of crisis often bring into question..
FLEUR ELKERTON reviews UCLU Dance Society’s Humans.                            This year’s UCLU Dance Society show promised to show us the ‘almost infinite number of pathways that we..
TESS LOWERY reviews Spaces, an original musical produced by UCL Musical Theatre Society. ‘Write what you know’, Mark Twain famously declared. Presented by UCL’s finest musical..
URI INSPECTOR reviews UCL Drama Society’s production of Rhinoceros. Eugène Ionesco’s satire on political populism uncannily resembles recent events. Written in response to the rise of..
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