LAITH CAHILL investigates the politicisation of anonymity in the works of Elena Ferrante and Beyonce. Earlier this year, Beyonce released Lemonade, a visual album brimming with..
KARINA TUKANOVA reports on the Bloomsbury Festival, taking us behind the front matter of London’s literary district. Explore Bloomsbury and you will frequently stumble upon..
JENNA MAHALE ventures into the fraught battleground between dance and food in the spoken word performance, Fat Girls Don’t Dance. ‘They most certainly do dance, I’ll tell..
Bea Bowles-Bray looks into the need for compassion in You Will Not Have My Hate by Antoine Leiris. On Friday 13th November 2015, three heavily armed gunmen..
NIALL ADAMS considers questions of creative ownership prompted by the release of ‘Harry Potter and the Cursed Child’. The launch of the newest work in..
ALASTAIR CURTIS reviews Yanagihara’s A Little Life, nominated for the Man Booker. A Little Life was the best book of 2015. Hanya Yanagihara, when talking..
LAUREN BOWES considers the work of Angela Carter, following the release of her newest publication, Unicorn. Adrienne Rich once wrote of her father’s library that,..
RIAH OSBORNE reviews Mary Oliver’s new poetry collection Felicity. The word ‘felicity’ has two definitions. Firstly, it can mean ‘intense happiness’; secondly, ‘the ability to find..
TOM BROADLEY looks at the Sleater-Kinney guitarist’s recent memoir. Carrie Brownstein is the guitarist and vocalist for Sleater-Kinney, one of the greatest American rock bands..
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