NIALL ADAMS reflects on the bicentenary of Jane Austen’s masterpiece, Emma. Handsome, clever and richly drawn; this year marks the two hundredth anniversary of Emma...
DANA MOSS reviews BBC Radio 4’s adaptation of A Place of Greater Safety. Melissa Murray was faced with the seemingly insurmountable task of adapting Hilary..
LAUREN BOWES considers the potential ramifications of the Future Library, and to what extent we can control the artistic output of the future. When I was..
DAFYDD SINDEN reviews Don Paterson’s Forty Sonnets. Throughout literary history, the art of sonneteering has been upheld as the tried and tested means of reproducing the..
PHYLLIDA JACOBS reviews Sophia Walker’s debut poetry collection. “Always travel in the direction opposite to the tour bus” are the words recounted in ‘Advice’, the..
LAUREN BOWES reviews UCLU’s latest publication, The Writer’s Block The petrifying condition that is writer’s block has no doubt incapacitated nearly every wordsmith, be they poet,..
SASHA BURIK reviews Terror and Wonder: The Gothic Imagination, An Exhibition at the British Library A meticulous multimedia collection which occupied me for three hours,..
VANYA JONES reviews Peter Krištúfek’s ‘The House of the Deaf Man’ Welsh independent publisher Parthian has given itself a challenge: fishing overseas for fresh literature..
DANA MOSS reviews Hilary Mantel’s collection of short stories: ‘The Assassination of Margaret Thatcher’. I have eagerly devoured all of Hilary Mantel’s previous works, from..
33 Artists: Literature and the Contemporary Art World
SASHA BURIK reviews Sarah Thornton’s discussion of her new book 33 ARTISTS in 3 ACTS. Sarah Thornton’s discussion with artist Isaac Julien about her new..
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